{"id":3922,"date":"2022-06-22T12:37:32","date_gmt":"2022-06-22T12:37:32","guid":{"rendered":"https:\/\/schimmel-piano.gdstest.de\/?page_id=3922"},"modified":"2026-01-19T09:53:37","modified_gmt":"2026-01-19T09:53:37","slug":"c-121-tradition-marketerie","status":"publish","type":"page","link":"https:\/\/www.schimmel-pianos.de\/en\/classic\/c-121-tradition-marketerie\/","title":{"rendered":"C 121 Tradition Marketerie"},"content":{"rendered":"
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Home<\/a><\/span><\/span><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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C 121 Tradition Marketerie<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"C
Mahogany high gloss<\/figcaption><\/figure><\/a><\/div>\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Instruments<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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WITH GREAT CHARISMA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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An old stylistic technique lends our model Tradition an extravagant touch \u2013 marquetry.\nIn previous centuries, this technique was utilized for the decoration of expensive furniture.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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In contrast to the inlay technique, marquetry is prepared in its entirety beforehand\nand consists of small veneer elements assembled to be subsequently glued onto the wooden corpus. Marquetry experts base their motif designs on the colour and structure of the primarily exotic wood types employed. With the aid of this veneer technique, our experts produce unusual individual elements manufactured from myrtle to great effect.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Product information<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Design Concept<\/span><\/path><\/svg><\/div>

Slim Line Concept (Classic 121 & 116): This design was basically developed by Arno Wilhelm Schimmel in the 1930th. The idea was to manufacture a new type of piano with an enormous tone volume, but more gracile appearance compared with the common heavy designs at this time. As this idea was revolutionary at this time when he received patents for. The success of these designs lead Schimmel to become the biggest German manufacturer over decades. The designs were refined over the years and perfected by the help of a self developed computer software CAPE in the 1980th. A true timeless design in tone and touch.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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High performance hammer head <\/span><\/path><\/svg><\/div>

Our hammer heads are made from highly elastic merino felt with high flexibility and low damping properties. The felt is made from the highest quality merino wool in a traditional fulling process in Germany. For the hammer cores, we use hardwoods in combination with tension-regulating under felts. The result is a great richness of tone colours in the different dynamic levels, as well as long-lasting tones due to low damping effect on the strings (short contact period due to highly elastic felt).<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Mineral key top<\/span><\/path><\/svg><\/div>

\"Mineral key tops\" are used for flat keys on all Schimmel instruments. These were developed by Schimmel and offer a more sensitive touch for pianists. In addition to this secure and sensitive touch, they are \"glare-free\" thanks to the matt surface, which s particularly advantageous for the pianist, especially on stages with spotlights.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Prestressed keybed<\/span><\/path><\/svg><\/div>

The keybed is firmly connected to the strungback by a three-point support, thus ensuring a resonance-link. In addition, the extremely stable, multi-layer glued keybed is pre-tensioned with an adjustment function in a process patented by Schimmel. This also ensures increased climate stability of the action regulation. As with our grand pianos, sound resonances are also specifically amplified, resulting in richer tone colours. The vibrations also create an improved possibility of interaction with the instrument when playing the piano.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Tone wood from the region<\/span><\/path><\/svg><\/div>

We use the term tonewood to describe all the resonance woods that produce the sound. For this we use selected mountain grown spruce from the Bavarian and Bohemian forests, the origin of tonewood of the German instrument makers. For this purpose, we only select perfect wood, grown slowly at high altitudes, so that soundboards can be joined that have optimal resonance characteristics. The trees are pre-selected in the forests and then specially cut and dried over long periods of time. Despite this intensive pre-selection, only about 2% of the timber obtained in this way is suitable for our soundboard production.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Mass reduced bridge<\/span><\/path><\/svg><\/div>

The bridge transfers and distributes the vibration of the strings into the soundboard. Schimmel invented the so called mass-reduced bridge so that the bridge can withstand the string tension, transmit the energy optimally and at the same time prevent the soundboard from vibrating freely as little as possible. This involves milling a dynamic contour into the flanks of the bridge, which ensures that the richness of the sound is increased, and the sustain gets longer. An innovative idea that still received a patent even after more than 300 years of traditional piano making.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Dynamic soundbar<\/span><\/path><\/svg><\/div>

The \"Dynamic Sound Bar\" is clamped to the soundboard during the production of the soundboard. This regulates the flow of energy in the soundboard when playing at different volumes, thus ensuring a wider range of sound characteristics depending on the attack and volume. This is what we call high tonal dynamics. Depending on the size and shape of the soundboard, we use either one or two dynamic sound bars to achieve the best possible result. (see table)<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Duratec Piano Strings<\/span><\/path><\/svg><\/div>
Traditionally, piano strings are drawn from very high-quality spring steel. These have ideal properties, for instance in terms of elasticity, vibration, and tone color. The disadvantage of conventional piano strings is a possible rapid oxidation on the surface in an environment with increased humidity. This leads to a negative impact on the sound and can even contribute to string breakage. Unfortunately, conventional coating processes to protect strings from oxidation have a negative impact on the sound. Because of this, the use of coated piano strings is always compromise. Using new manufacturing methods, we were able to develop a process with which we can refine the strings in such a way that they are better protected from corrosion and at the same time produce even richer and perfect tone colors than conventional string material. This unique process is patented by Schimmel Pianos. The piano strings are called \u201cDuratec Piano Strings\u201d.<\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Multilayered pin block<\/span><\/path><\/svg><\/div>

We use pin blocks made of thin hardwood layers so that the instrument keeps its pitch optimally and is easy to tune. These pin blocks were developed by Schimmel in the 1950s as so-called \"tropical climate resistant\" pin blocks and have proven themselves over the decades.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Glider<\/span><\/path><\/svg><\/div>
Traditionally, pianos are equipped with small metal castors. From our experience, these are rarely used. The risk of damaging the floor is quite high. For this reason, we equip our pianos with high-quality gliders that are coated with Delrin from below. This allows for easier gliding on smooth hard floors and reduces the likelihood of damage to floors. In addition, the front gliders can be adjusted in height to compensate for uneven floors. This prevents the instrument from twisting and improves the tuning and the regulation stability.<\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Extended manufacturer warranty<\/span><\/path><\/svg><\/div>

Schimmel offers an extended manufacturer's warranty through its network of appointed dealers. Because we trust and stand by the quality of our instruments.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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CAPE - Designed by Schimmel<\/span><\/path><\/svg><\/div>

As early as the 1980s, Schimmel used computers to improve the design of their instruments and was a pioneer in the piano industry. Since then, the use of computers for research and development has been constantly further developed and today, referred to as CAPE, represents a unique and all-encompassing software solution into which decades of development work and research results have contributed. On this basis, new ideas and designs are constantly being created that set standards in the industry. On this basis, the use of CNC machines for the production of precision parts has been promoted since the 1990s. These are then added to our instruments exclusively by hand and are a prerequisite for achieving the highest quality.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Environment standards<\/span><\/path><\/svg><\/div>

Environmental protection and sustainability have been part of the company philosophy at Schimmel since the company was founded in 1885. This starts with the quality of our instruments. With a Schimmel instrument, you are purchasing a durable product that will be used for many years, often for generations. Which industry can say that it repeatedly receives requests for spare parts for its products that are more than 100 years old? Durability conserves resources. In addition, we manufacture our instruments from predominantly renewable raw materials - domestic wood from certified forestry and wool - and our cast iron plates are made in an elaborate process from recycled scrap metal. Wood leftovers and shavings from production are used to heat production in winter, and we generate solar power on the roof of the factory. Biofilters and a modern heating system complete our production. And of course, we produce according to high German environmental standards. This is true not only in our manufactory in Braunschweig | Germany, but also in Kalisz | Poland. In China, the production of our Fridolin instruments is environmentally certified according to ISO 14001 to ensure our high standards of environmental protection and sustainability here as well.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Model series<\/td>C 121<\/td><\/tr>
Model<\/td>Tradition Marketerie<\/td><\/tr>
Height (cm | inch)<\/td>121 | 48″<\/td><\/tr>
Width (cm)<\/td>150<\/td><\/tr>
Depth (cm)<\/td>59<\/td><\/tr>
Weight (kg | lbs)<\/td>249 | 549<\/td><\/tr>
Finish<\/td>Mahogany high gloss<\/td><\/tr>
Standard hardware<\/td>Brass<\/td><\/tr>
Optional hardware to order<\/td>Chrome matte | Chrome gloss<\/td><\/tr>
Manufacturer<\/td>Wilhelm Schimmel Pianofortefabrik GmbH<\/td><\/tr>
Country of origin<\/td>Braunschweig | Germany<\/td><\/tr>
Action<\/td>Schimmel action made by Renner | Germany<\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Keyboard<\/td>\nFinishing manufactured in Braunschweig<\/td>\n<\/tr>\n
Keyboard coating<\/td>\nMineral | Bakelite<\/td>\n<\/tr>\n
Number of keys<\/td>\n88<\/td>\n<\/tr>\n
Approx. keybed height from floor to underside keybed \/ keytop (mm)<\/td>\n682 | 767<\/td>\n<\/tr>\n
Pedals<\/td>\nPiano Pedal (left) | Moderator\/twin<\/strong>tone<\/em> (middle) | Tone control (right)<\/td>\n<\/tr>\n
Installation of self player possible<\/td>\nno<\/td>\n<\/tr>\n
Installation twin<\/strong>tone<\/em> ex works | retrofit at dealer's workshop*\n(*from year of manufacture 2019)<\/span><\/td>\nyes | yes<\/td>\n<\/tr>\n
Steel strings high performance spring steel with precise partial tone development<\/span><\/td>\nSchimmel Duratec by Pitthan | Germany; Duratec Schimmel Patent<\/td>\n<\/tr>\n
Bass strings<\/td>\nmade by Schimmel<\/td>\n<\/tr>\n
Box frame construction with solid hard wood liners inlaid in mountain grown spruce.\nCombines high stability against bending forces with high energy reflection<\/span><\/td>\nyes<\/td>\n<\/tr>\n
Three-dimensional crowned and tension loaded soundboard<\/td>\nwith conical cut<\/td>\n<\/tr>\n
Dynamic soundbar\nfor definition see product details<\/span><\/td>\none<\/td>\n<\/tr>\n
Bridge: solid beech capped by 5 layers of maple wood crosswise glued<\/td>\nmade by Schimmel<\/td>\n<\/tr>\n
Cast iron made traditionally<\/td>\nyes<\/td>\n<\/tr>\n
Piano lid design<\/td>\nhorizontal and vertical<\/td>\n<\/tr>\n
Glider\/castor as standard (exchange to glider \/ castor is possible upon request)<\/td>\nGlider<\/td>\n<\/tr>\n
Soft close fallboard standard<\/td>\nno<\/td>\n<\/tr>\n
High gloss finishes are made of premium piano lacquer by layering process and hand polished<\/td>\nyes<\/td>\n<\/tr>\n
Manufactured according to following standards:<\/td>\nGerman Environment Standards<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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More models of the Classic series<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tC 116 Tradition\t\t\t<\/div>\n\t\t\t<\/a>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\tC 116 Modern Cubus\t\t\t<\/div>\n\t\t\t<\/a>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\tC 121 Tradition Noblesse ebony high gloss | Bubinga\t\t\t<\/div>\n\t\t\t<\/a>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\tC 121 Royal Intarsie Flora\t\t\t<\/div>\n\t\t\t<\/a>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\tC 130 Tradition\t\t\t<\/div>\n\t\t\t<\/a>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
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<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

C 121 Tradition Marketerie Mahagoni poliert einzelst\u00fccke mit gro\u00dfer ausstrahlung Eine alte Stiltechnik gibt unserem Modell Tradition eine extravagante Note – die Marketerie. Schon vor Jahrhunderten wurden damit kostbare M\u00f6bel verziert. Mehr… Im Gegensatz zur Intarsie fertigt man die Marketerie als komplettes Bild. Sie besteht aus bereits zusammengesetzten, kleinen Furnierst\u00fccken, die auf den Holzkorpus aufgeleimt […]<\/p>\n","protected":false},"author":7,"featured_media":4536,"parent":780,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-3922","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nC 121 Tradition Marketerie - Schimmel Piano<\/title>\n<meta name=\"description\" content=\"Eine alte Technik verleiht dem C 121 Tradition eine besondere Note - die Marketerie. 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