{"id":4027,"date":"2022-06-23T08:44:20","date_gmt":"2022-06-23T08:44:20","guid":{"rendered":"https:\/\/schimmel-piano.gdstest.de\/?page_id=4027"},"modified":"2026-01-19T10:04:52","modified_gmt":"2026-01-19T10:04:52","slug":"c-169-tradition-2","status":"publish","type":"page","link":"https:\/\/www.schimmel-pianos.de\/en\/classic\/c-169-tradition-2\/","title":{"rendered":"C 169 Tradition"},"content":{"rendered":"
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C 169 Tradition<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"Classic
Ebony high gloss<\/figcaption><\/figure><\/a><\/div>
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White high gloss<\/figcaption><\/figure><\/a><\/div>
\"Mahagoni
Mahogany high gloss<\/figcaption><\/figure><\/a><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
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compromises<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Even with the smallest Classic C 169 grand piano we do not compromise. Part wise the\nidentical action and large parts of the \u2018sound system\u2019 from our full size concert grand is\nhere also implemented.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Combined with our extreme soundboard expansion in the lateral\nregion, this creates a true giant among the small grand pianos that is effortlessly comparable\nto the larger grand pianos. This is uniqueness that can be heard and felt.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Awards and prizes <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\"Diapason\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\tDiapason d\u2019or<\/span>September issue 2008<\/span><\/cite>\t\t\t\t\t
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\n\t\t\t\t\t\t\"Especially the outstanding quality of the smallest Schimmel concert grand C 169 Tradition caught the eye of the jury members. Fran\u00e7ois Dumont remarks: \"very special and fine timbres with a lot of personality. It is brilliant, clear and shows an excellent sound resolution\".
More...<\/strong><\/span><\/summary>The stops are impeccably balanced, with \"splendid and sparkling trebles, warm basses, and a fairly rich middle register.\" Prisca Beno\u00eet judged the action to be very pleasant. \"It is effective, and the pressure control is simple, which offers numerous possibilities.\" Both our musicians describe the instrument as a piano for soloists, perfect for a concert pianist's work and for interpreting the romantic repertoire.\" - Thierry Faradji<\/details>\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\u201cThe Schimmel C 169 T grand, a great innovation at the 2001 Frankfurt Music Fair, immediately distinguishes itself by a very elegant sound, which clearly places it above its competitors in this price category. Its beautiful, natural sustain, in combination with a warm, silken build-up of the timbres, permits the most comprehensive repertoire.
More...<\/strong><\/span><\/summary>For example, with Scarlatti\u2019s Sonata K 380, as well as an excerpt from the first movement\nof Tchaikovsky\u2019s Piano Concerto No. 1 and the Marche fun\u00e8bre from Chopin\u2019s Piano Sonata No. 2 op. 35, a pleasing richness in timbres can be heard, permitting a recreation of the atmosphere of the works. At the most, one can just barely sense an action which is a trace too stiff and hammers voiced a bit too mellow, which weakens the brilliance of the upper treble. The Schimmel C 169 T stands out as a grand of noble character, manufactured with meticulous care, the richness of timbres of which predestines it for musicians.\u201d \u2013 Yves Guilloux<\/details>\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
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Product information<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Design Concept<\/span><\/path><\/svg><\/div>

Trilogy Concept (Classic): This is an innovative design concept, developed by Schimmel in 2000. It is based on the idea to implement selected characteristics of our concert grand piano K 280 into the smaller Classic grand pianos as similar as possible. For example, we are using the same action of a K 280. Furthermore, we are using the long keys of our C 213 also in our smaller Classic grand pianos to achieve a more sensitive touch as well as a similar scale design from tone 44 up to tone 88 to achieve a similar sound characteristic. This way the designs are carefully simplified in detail and material compared with the Konzert designs, still remaining the main characteristics.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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High performance hammer head <\/span><\/path><\/svg><\/div>

Our hammer heads are made from highly elastic merino felt with high flexibility and low damping properties. The felt is made from the highest quality merino wool in a traditional fulling process in Germany. For the hammer cores, we use hardwoods in combination with tension-regulating under felts. The result is a great richness of tone colours in the different dynamic levels, as well as long-lasting tones due to low damping effect on the strings (short contact period due to highly elastic felt).<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Concert action - keyboard design<\/span><\/path><\/svg><\/div>

The mechanism (mechanism and keyboard) of a large concert grand piano offers the pianist the preferred touch. Control and ways to achieve express himself with a high possibility to influence the sound characteristic are optimally guaranteed by the long lever ratios. For this reason, we use our large concert grand piano action from our largest Konzert grand K 280 in all Konzert grand models, no matter how large. This means that all grand pianos in the Konzert series play like a large concert grand. With our Classic grand pianos, only the keyboard is slightly shortened. With an extraordinarily large mechanism, even with the smallest grand piano, they still remain very close to this concert like touch.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Mineral key top<\/span><\/path><\/svg><\/div>

\"Mineral key tops\" are used for flat keys on all Schimmel instruments. These were developed by Schimmel and offer a more sensitive touch for pianists. In addition to this secure and sensitive touch, they are \"glare-free\" thanks to the matt surface, which s particularly advantageous for the pianist, especially on stages with spotlights.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Prestressed keybed<\/span><\/path><\/svg><\/div>

The keybed of our grand pianos is made of high quality tone wood and designed to boost the frequencies that the soundboard is difficult to produce. This increases the richness of sound and the sound is more balanced overall. In addition, the player feels what he is playing through the transmission of the vibrations into the keyboard and thus has better control over his piano playing. The result is an improved ability to interact with the instrument.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Tone wood from the region<\/span><\/path><\/svg><\/div>

We use the term tonewood to describe all the resonance woods that produce the sound. For this we use selected mountain grown spruce from the Bavarian and Bohemian forests, the origin of tonewood of the German instrument makers. For this purpose, we only select perfect wood, grown slowly at high altitudes, so that soundboards can be joined that have optimal resonance characteristics. The trees are pre-selected in the forests and then specially cut and dried over long periods of time. Despite this intensive pre-selection, only about 2% of the timber obtained in this way is suitable for our soundboard production.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Tension collector<\/span><\/path><\/svg><\/div>

Up to 20 tons of string tension forces have to be absorbed in a grand piano. The soundboard should be influenced as little as possible by these enormous forces. To ensure this, we use a tension collector that releases the soundboard from these forces and allows it to vibrate more freely and unaffected.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Horizontal soundboard enlargement<\/span><\/path><\/svg><\/div>

Schimmel grand pianos are not built in a parallel shape, but in a conical shape. This means that the grand piano gets wider laterally from the keyboard in the direction of the string appendix. This creates an enlarged soundboard area compared to a traditional parallel design. In addition to a larger sound-producing-area, the string pressure forces can also be distributed more generously. The soundboard can vibrate more freely and produce more beautiful tone colours. This construction was patented in combination with the large concert mechanisms and the concert scale by Schimmel and is therefore unique.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Three-dimensional crowned and tension loaded soundboard with membrane shaped cut<\/span><\/path><\/svg><\/div>

The production of the soundboard is a complicated and lengthy process, the thickness of the soundboard at the various points, the wood moisture of the assembled parts and a subsequent \"tension\" of the soundboard when joining the soundboard on the strungback are just a few factors that have a major influence on the soundboard. Our extensive process ensures a richness of sound in all dynamic ranges, an even development of sound in all registers and long-sustain. Depending on the sound character that is to be achieved, our soundboards are manufactured differently. Soundboards with a membrane-like finish are particularly difficult to produce, but they also deliver excellent vibration characteristics.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Mass reduced bridge<\/span><\/path><\/svg><\/div>

The bridge transfers and distributes the vibration of the strings into the soundboard. Schimmel invented the so called mass-reduced bridge so that the bridge can withstand the string tension, transmit the energy optimally and at the same time prevent the soundboard from vibrating freely as little as possible. This involves milling a dynamic contour into the flanks of the bridge, which ensures that the richness of the sound is increased, and the sustain gets longer. An innovative idea that still received a patent even after more than 300 years of traditional piano making.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Dynamic soundbar<\/span><\/path><\/svg><\/div>

The \"Dynamic Sound Bar\" is clamped to the soundboard during the production of the soundboard. This regulates the flow of energy in the soundboard when playing at different volumes, thus ensuring a wider range of sound characteristics depending on the attack and volume. This is what we call high tonal dynamics. Depending on the size and shape of the soundboard, we use either one or two dynamic sound bars to achieve the best possible result. (see table)<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Concert grand scale<\/span><\/path><\/svg><\/div>

The string layout, the so-called scale, of a large concert grand offers optimal physical properties for an impressive grand piano sound. For all Schimmel grand pianos, as well as all Konzert and the large Classic upright pianos C 126 and C 130, we have therefore transferred the middle register and the treble (tone 44 to 88) scale into all mentioned models identically from our large concert grand K 280. In this way, we achieve the same sound characteristics as with a large grand piano.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Triplex scale<\/span><\/path><\/svg><\/div>

An appendix of a string are areas of strings that are not made to vibrate directly by the hammerhead, but will vibrate through energy transfer and generate partial tones that provide even more richness of sound and longer sustain and can strongly influence the sound character. These areas are very sensitive and need to be crafted with precision to sound right. For this reason, we use CNC manufactured scales. The scales of our Konzert grand pianos can be even tuned afterwards, so that they can later be voiced by ear. Depending on the model, either no scale, one or two scales are used, resulting in one, two (duplex), or three (triplex) sound-producing sections of a string. (see table)<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Duratec Piano Strings<\/span><\/path><\/svg><\/div>
Traditionally, piano strings are drawn from very high-quality spring steel. These have ideal properties, for instance in terms of elasticity, vibration, and tone color. The disadvantage of conventional piano strings is a possible rapid oxidation on the surface in an environment with increased humidity. This leads to a negative impact on the sound and can even contribute to string breakage. Unfortunately, conventional coating processes to protect strings from oxidation have a negative impact on the sound. Because of this, the use of coated piano strings is always compromise. Using new manufacturing methods, we were able to develop a process with which we can refine the strings in such a way that they are better protected from corrosion and at the same time produce even richer and perfect tone colors than conventional string material. This unique process is patented by Schimmel Pianos. The piano strings are called \u201cDuratec Piano Strings\u201d.<\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Multilayered pin block<\/span><\/path><\/svg><\/div>

We use pin blocks made of thin hardwood layers so that the instrument keeps its pitch optimally and is easy to tune. These pin blocks were developed by Schimmel in the 1950s as so-called \"tropical climate resistant\" pin blocks and have proven themselves over the decades.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Extended manufacturer warranty<\/span><\/path><\/svg><\/div>

Schimmel offers an extended manufacturer's warranty through its network of appointed dealers. Because we trust and stand by the quality of our instruments.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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CAPE - Designed by Schimmel<\/span><\/path><\/svg><\/div>

As early as the 1980s, Schimmel used computers to improve the design of their instruments and was a pioneer in the piano industry. Since then, the use of computers for research and development has been constantly further developed and today, referred to as CAPE, represents a unique and all-encompassing software solution into which decades of development work and research results have contributed. On this basis, new ideas and designs are constantly being created that set standards in the industry. On this basis, the use of CNC machines for the production of precision parts has been promoted since the 1990s. These are then added to our instruments exclusively by hand and are a prerequisite for achieving the highest quality.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Environment standards<\/span><\/path><\/svg><\/div>

Environmental protection and sustainability have been part of the company philosophy at Schimmel since the company was founded in 1885. This starts with the quality of our instruments. With a Schimmel instrument, you are purchasing a durable product that will be used for many years, often for generations. Which industry can say that it repeatedly receives requests for spare parts for its products that are more than 100 years old? Durability conserves resources. In addition, we manufacture our instruments from predominantly renewable raw materials - domestic wood from certified forestry and wool - and our cast iron plates are made in an elaborate process from recycled scrap metal. Wood leftovers and shavings from production are used to heat production in winter, and we generate solar power on the roof of the factory. Biofilters and a modern heating system complete our production. And of course, we produce according to high German environmental standards. This is true not only in our manufactory in Braunschweig | Germany, but also in Kalisz | Poland. In China, the production of our Fridolin instruments is environmentally certified according to ISO 14001 to ensure our high standards of environmental protection and sustainability here as well.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Model series<\/td>C 169<\/td><\/tr>
Model<\/td>Tradition<\/td><\/tr>
Length (cm | inch)<\/td>169 | 5’7″<\/td><\/tr>
Height (cm)<\/td>102<\/td><\/tr>
Width (cm)<\/td>154<\/td><\/tr>
Weight (kg | lbs)<\/td>338 | 745<\/td><\/tr>
Finish<\/td>Ebony high gloss | White high gloss | Mahogany high gloss<\/td><\/tr>
Standard hardware<\/td>Brass<\/td><\/tr>
Optional hardware to order<\/td>Chrome matte | Chrome gloss<\/td><\/tr>
Manufacturer<\/td>Wilhelm Schimmel Pianofortefabrik GmbH<\/td><\/tr>
Country of origin<\/td>Braunschweig | Germany<\/td><\/tr>
Action<\/td>Schimmel action made by Renner | Germany<\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Keyboard<\/td>\nComplete production Braunschweig<\/td>\n<\/tr>\n
Keyboard coating<\/td>\nMineral | Bakelite<\/td>\n<\/tr>\n
Number of keys<\/td>\n88<\/td>\n<\/tr>\n
Approx. keybed height from floor to underside keybed \/ keytop (mm)<\/td>\n613 | 726<\/td>\n<\/tr>\n
Pedals<\/td>\nUna corda (left) | Sostenuto (middle) | Sustain (right)<\/td>\n<\/tr>\n
Installation of self player possible<\/td>\nyes<\/td>\n<\/tr>\n
Installation twin<\/strong>tone<\/em> ex works | retrofit at dealer's workshop*\n(*from year of manufacture 2019)<\/span><\/td>\nno | no<\/td>\n<\/tr>\n
Steel strings high performance spring steel with precise partial tone development<\/span><\/td>\nSchimmel Duratec by Pitthan | Germany; Duratec Schimmel Patent<\/td>\n<\/tr>\n
Bass strings<\/td>\nmade by Schimmel<\/td>\n<\/tr>\n
Duplex \/ Triplex scale\nfor definition see product details<\/span><\/td>\nTriplex<\/td>\n<\/tr>\n
Rim\nmolded wood made of multiple Sapeli laminations | support beams made of mountain grown spruce | enforced bass side for a better energy reflection<\/span><\/td>\nyes<\/td>\n<\/tr>\n
Three-dimensional crowned and tension loaded soundboard<\/td>\nmembrane shaped cut<\/td>\n<\/tr>\n
Dynamic soundbar\nfor definition see product details<\/span><\/td>\none<\/td>\n<\/tr>\n
Bridge: solid beech capped by 5 layers of maple wood crosswise glued<\/td>\nmade by Schimmel<\/td>\n<\/tr>\n
Cast iron made traditionally<\/td>\nyes<\/td>\n<\/tr>\n
Castor type<\/td>\none piece standard roll<\/td>\n<\/tr>\n
Soft close fallboard standard<\/td>\nyes<\/td>\n<\/tr>\n
High gloss finishes are made of premium piano lacquer by layering process and hand polished<\/td>\nyes<\/td>\n<\/tr>\n
Manufactured according to following standards:<\/td>\nGerman Environment Standards<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tClick here to access the download of our product brochures:\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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More models of the Classic series<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tC 116 Modern Cubus\t\t\t<\/div>\n\t\t\t<\/a>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\tC 116 Tradition\t\t\t<\/div>\n\t\t\t<\/a>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\tC 121 Royal Intarsie Flora\t\t\t<\/div>\n\t\t\t<\/a>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\tC 121 Elegance Manhattan super matt\t\t\t<\/div>\n\t\t\t<\/a>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\tC 121 Tradition Marketerie\t\t\t<\/div>\n\t\t\t<\/a>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\tC 121 Tradition Noblesse ebony high gloss | Bubinga\t\t\t<\/div>\n\t\t\t<\/a>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\tC 126 Tradition\t\t\t<\/div>\n\t\t\t<\/a>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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C 169 Tradition Schwarz poliert Wei\u00df poliert Mahagoni poliert Ohne kompromisse Auch bei unserem kleinsten Classic Fl\u00fcgel C 169 machen wir keine Kompromisse. Teile des gro\u00dfen Spielwerks und der Klanganlage des gro\u00dfen Konzertfl\u00fcgels werden auch hier konsequent eingesetzt. Mehr… Kombiniert mit unserer extremen Resonanzbodenerweiterung im seitlichen Bereich entsteht ein wahrer Gigant unter den kleinen Fl\u00fcgeln, […]<\/p>\n","protected":false},"author":7,"featured_media":0,"parent":780,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-4027","page","type-page","status-publish","hentry"],"yoast_head":"\nC 169 Tradition - Schimmel Piano<\/title>\n<meta name=\"description\" content=\"Ohne Kompromisse verwendet auch unser kleinster Fl\u00fcgel, der C 169 Tradition, Teile des Spielwerks und des Klangsystems der gro\u00dfen Fl\u00fcgel.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.schimmel-pianos.de\/en\/classic\/c-169-tradition-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"C 169 Tradition - 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