{"id":7980,"date":"2022-09-02T08:37:36","date_gmt":"2022-09-02T08:37:36","guid":{"rendered":"https:\/\/schimmel-piano.gdstest.de\/?page_id=7980"},"modified":"2026-01-19T10:09:10","modified_gmt":"2026-01-19T10:09:10","slug":"k-132-tradition","status":"publish","type":"page","link":"https:\/\/www.schimmel-pianos.de\/en\/konzert\/k-132-tradition\/","title":{"rendered":"K 132 Tradition"},"content":{"rendered":"
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Home<\/a><\/span><\/span><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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K 132 Tradition<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"K
Ebony high gloss<\/figcaption><\/figure><\/a><\/div>
\"Mahagoni
Mahogany high gloss<\/figcaption><\/figure><\/a><\/div>
\"Fl\u00fcgeldeckel
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PERFECTION<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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AESTHETICS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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We interpret tradition with a contemporary slant as illustrated by the K 132 Tradition which is inimitable in its combination of the traditions of German artisan piano manufacturing, innovative construction and contemporary design. This is perfection and aesthetics which will continue to enchant future generations.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Awards and prizes <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\"Pianiste\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\tPianiste Maestro<\/span>October issue 2004<\/span><\/cite>\t\t\t\t\t
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\n\t\t\t\t\t\t\u201cA wonderful instrument representing the pinnacle of piano manufacturing! The champion among the Schimmel piano range!
Mehr\u2026<\/strong><\/summary>This instrument possesses phenomenal tonal possibilities, in particular an extremely\nwide-ranging tonal palette: it has extremely deep bass tones at its disposal, permitting the performance of all musical styles, and reveals an extensive tonal richness.\u201d \u2013 Mathieu Papadiamandis<\/details>\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\u201cThe highest calibre piano within the Schimmel range is the K 132 T. The technical workmanship is impressive. Schimmel does not hesitate to denote this range of instruments as the \u201eprofessional concert series\u201c.
More...<\/strong><\/summary>This is one of the few piano models, for example which utilizes a fallboard with a hydraulic safety function. (...) This piano is theatrical. Its dynamic range reveals its opulent character and facilitates the production of fortissimi and pianissimi with a natural effortlessness. The multifaceted tone of this powerfully-voiced instrument can unfold to produce a luxuriant orchestral sound, but can equally be played with an extreme muted timbre. It is\nimpressive that such a powerful instrument can also produce such intimate piano dynamics. The homogeneity of all registers is faultless. The feeling of touch allows all performing intentions to be fully expressed and displays no weak points. The sumptuous appearance of this model adds an extra unmistakable aristocratic touch. This is an authentic piano from the good old days: the type of instrument which was formerly bought for life.\u201d \u2013 Thierry Faradji<\/details>\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
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Product information<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Design Concept<\/span><\/path><\/svg><\/div>

Konzert Concept (Konzert): This is an innovative design concept, developed and patented by Schimmel in 2000 based on the idea to implement all outstanding characteristics of our full size concert grand K 280 into this series where possible. For example, we are using the similar scale layout from tone 44 up to tone 88. Also, the soundboard design is similar to a grand piano. This way we transfer a big part of the sound characteristic of our K 280 also into our Konzert uprights. The action keyboard design is optimized to achieve a repetition as fast as an average grand piano.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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High performance hammer head <\/span><\/path><\/svg><\/div>

Our hammer heads are made from highly elastic merino felt with high flexibility and low damping properties. The felt is made from the highest quality merino wool in a traditional fulling process in Germany. For the hammer cores, we use hardwoods in combination with tension-regulating under felts. The result is a great richness of tone colours in the different dynamic levels, as well as long-lasting tones due to low damping effect on the strings (short contact period due to highly elastic felt).<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Concert action - keyboard design<\/span><\/path><\/svg><\/div>

Due to the different physical conditions, grand pianos usually play better than upright pianos. However, by optimizing the lever ratios in the concert mechanism, it has been possible to achieve a significant improvement in touch. For example, the mechanism is now designed so that the repetition is just as high as on an average grand piano.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Mineral key top<\/span><\/path><\/svg><\/div>

\"Mineral key tops\" are used for flat keys on all Schimmel instruments. These were developed by Schimmel and offer a more sensitive touch for pianists. In addition to this secure and sensitive touch, they are \"glare-free\" thanks to the matt surface, which s particularly advantageous for the pianist, especially on stages with spotlights.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Prestressed keybed<\/span><\/path><\/svg><\/div>

The keybed is firmly connected to the strungback by a three-point support, thus ensuring a resonance-link. In addition, the extremely stable, multi-layer glued keybed is pre-tensioned with an adjustment function in a process patented by Schimmel. This also ensures increased climate stability of the action regulation. As with our grand pianos, sound resonances are also specifically amplified, resulting in richer tone colours. The vibrations also create an improved possibility of interaction with the instrument when playing the piano.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Tone wood from the region<\/span><\/path><\/svg><\/div>

All the resonance woods that produce the sound we call tone wood. For this we use mountain grown spruce from the Bavarian and Bohemian forests, the origin of tone wood of the German instrument makers. For this we only use perfect wood, grown slowly at high altitudes, so that soundboards can be joined that have optimal resonance characteristics. The trees are pre-selected in the forests and then specially cut and dried over long periods of time. Even with this intensive pre-selection, only about 2% of the timber obtained in this way is suitable for our soundboard production.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Three-dimensional crowned and tension loaded soundboard with membrane shaped cut<\/span><\/path><\/svg><\/div>

The production of the soundboard is a complicated and lengthy process. The thickness of the soundboard at the various points, the wood moisture of the assembled parts and the subsequent \"tension\" of the soundboard when joining the soundboard to the strungback are just a few factors that have a major influence on the soundboard. Our extensive process ensures a richness of sound in all dynamic ranges, and even development of sound in all registers and long-sustain. Depending on the sound character that is to be achieved, our soundboards are manufactured differently. Soundboards with a membrane-like finish are particularly difficult to produce, but also deliver excellent vibration characteristics.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Mass reduced bridge<\/span><\/path><\/svg><\/div>

The bridge transfers and distributes the vibration of the strings into the soundboard. Schimmel invented the so called mass-reduced bridge so that the bridge can withstand the string tension, transmit the energy optimally and at the same time prevent the soundboard from vibrating freely as little as possible. This involves milling a dynamic contour into the flanks of the bridge, which ensures that the richness of the sound is increased, and the sustain gets longer. An innovative idea that still received a patent even after more than 300 years of traditional piano making.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Dynamic soundbar<\/span><\/path><\/svg><\/div>

The \"Dynamic Sound Bar\" is clamped to the soundboard during the production of the soundboard. This regulates the flow of energy in the soundboard when playing at different volumes, thus ensuring a wider range of sound characteristics depending on the attack and volume. This is what we call high tonal dynamics. Depending on the size and shape of the soundboard, we use either one or two dynamic sound bars to achieve the best possible result. (see table)<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Concert grand scale<\/span><\/path><\/svg><\/div>

The string layout, the so-called scale, of a large concert grand offers optimal physical properties for an impressive grand piano sound. For all Schimmel grand pianos, as well as all Konzert and the large Classic upright pianos C 126 and C 130, we have therefore transferred the middle register and the treble (tone 44 to 88) scale into all mentioned models identically from our large concert grand K 280. In this way, we achieve the same sound characteristics as with a large grand piano.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Triplex scale<\/span><\/path><\/svg><\/div>

An appendix of a string are areas of strings that are not made to vibrate directly by the hammer head, but will vibrate through energy transfer and generate partial tones that provide even more richness of sound and longer sustain and can strongly influence the sound character. These areas are very sensitive and need to be crafted with precision to sound right. For this reason, we use CNC manufactured scales. The scales of our Konzert grand pianos can even be tuned afterwards, so that they can later be voiced by ear. Depending on the model, either no scale, one or two scales are used, resulting in one, two (duplex) or three (triplex) sound-producing sections of a string.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Duratec Piano Strings<\/span><\/path><\/svg><\/div>
Traditionally, piano strings are drawn from very high-quality spring steel. These have ideal properties, for instance in terms of elasticity, vibration, and tone color. The disadvantage of conventional piano strings is a possible rapid oxidation on the surface in an environment with increased humidity. This leads to a negative impact on the sound and can even contribute to string breakage. Unfortunately, conventional coating processes to protect strings from oxidation have a negative impact on the sound. Because of this, the use of coated piano strings is always compromise. Using new manufacturing methods, we were able to develop a process with which we can refine the strings in such a way that they are better protected from corrosion and at the same time produce even richer and perfect tone colors than conventional string material. This unique process is patented by Schimmel Pianos. The piano strings are called \u201cDuratec Piano Strings\u201d.<\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Multilayered pin block<\/span><\/path><\/svg><\/div>

We use pin blocks made of thin hardwood layers so that the instrument keeps its pitch optimally and is easy to tune. These pin blocks were developed by Schimmel in the 1950s as so-called \"tropical climate resistant\" pin blocks and have proven themselves over the decades.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Grand piano lid design<\/span><\/path><\/svg><\/div>

The lid of the instrument protects the interior (closed) and when playing the piano also serves to reflect the sound (open) in the direction of the piano player (upright piano) or the audience (grand piano). With upright pianos, the lid can usually be raised in one position. Grand piano lids can be raised in multiple positions, so multiple variations of sound reflection can be chosen. We have imitated this grand piano lid on selected upright piano models. The lid opens horizontally and vertically and thus allows different sound reflecting positions. It sounds good and also looks beautiful.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Glider<\/span><\/path><\/svg><\/div>

Traditionally, pianos are equipped with small metal castors. From our experience, these are rarely used. The risk of damaging the floor is quite high. For this reason, we equip our pianos with high-quality gliders that are coated with Delrin from below. This allows for easier gliding on smooth hard floors and reduces the likelihood of damage to floors. In addition, the front gliders can be adjusted in height to compensate for uneven floors. This prevents the instrument from twisting and improves the tuning and the regulation stability.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Extended manufacturer warranty<\/span><\/path><\/svg><\/div>

Schimmel offers an extended manufacturer's warranty through its network of appointed dealers. Because we trust and stand by the quality of our instruments.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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CAPE - Designed by Schimmel<\/span><\/path><\/svg><\/div>

As early as the 1980s, Schimmel worked with computers to improve the design of its instruments, making the company a pioneer in the piano industry. Since then, the use of computers for research and development has been constantly further developed and today, under the name CAPE (Computer Assisted Piano Engineering), it represents a unique and all-encompassing software solution into which decades of development work and research results have contributed. On this basis, new ideas and designs are constantly being created that set standards in the industry.
On this basis, the use of CNC machines for the production of precision parts has been promoted since the 1990s. These are then added to our instruments exclusively by hand and are a prerequisite for achieving the highest quality.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Environment standards<\/span><\/path><\/svg><\/div>

Environmental protection and sustainability have been part of the company philosophy at Schimmel since the company was founded in 1885. This starts with the quality of our instruments. With a Schimmel instrument, you are purchasing a durable product that will be used for many years, often for generations. Which industry can say that it repeatedly receives requests for spare parts for its products that are more than 100 years old? Durability conserves resources. In addition, we manufacture our instruments from predominantly renewable raw materials - domestic wood from certified forestry and wool - and our cast iron plates are made in an elaborate process from recycled scrap metal. Wood leftovers and shavings from production are used to heat production in winter, and we generate solar power on the roof of the factory. Biofilters and a modern heating system complete our production. And of course, we produce according to high German environmental standards. This is true not only in our manufactory in Braunschweig | Germany, but also in Kalisz | Poland. In China, the production of our Fridolin instruments is environmentally certified according to ISO 14001 to ensure our high standards of environmental protection and sustainability here as well.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Model series<\/td>K 132<\/td><\/tr>
Model<\/td>Tradition<\/td><\/tr>
Height (cm | inch)<\/td>132 | 52″<\/td><\/tr>
Width (cm)<\/td>149<\/td><\/tr>
Depth (cm)<\/td>62<\/td><\/tr>
Weight (kg | lbs)<\/td>263 | 580<\/td><\/tr>
Finish<\/td>Ebony high gloss | Mahogany high gloss<\/td><\/tr>
Standard hardware<\/td>Brass<\/td><\/tr>
Optional hardware to order<\/td>Chrome matte | Chrome gloss<\/td><\/tr>
Manufacturer<\/td>Wilhelm Schimmel Pianofortefabrik GmbH<\/td><\/tr>
Country of origin<\/td>Braunschweig | Germany<\/td><\/tr>
Action<\/td>Schimmel action made by Renner | Germany<\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Keyboard<\/td>\nComplete production Braunschweig<\/td>\n<\/tr>\n
Keyboard coating<\/td>\nMineral | Ebony<\/td>\n<\/tr>\n
Number of keys<\/td>\n88<\/td>\n<\/tr>\n
Approx. keybed height from floor to underside keybed \/ keytop (mm)<\/td>\n670 | 775<\/td>\n<\/tr>\n
Pedals<\/td>\nPiano Pedal (left) | Moderator\/twin<\/strong>tone<\/em> (middle) | Tone control (right)<\/td>\n<\/tr>\n
Installation of self player possible<\/td>\nno<\/td>\n<\/tr>\n
Installation twin<\/strong>tone<\/em> ex works | retrofit at dealer's workshop*\n(*from year of manufacture 2019)<\/span><\/td>\nyes | yes<\/td>\n<\/tr>\n
Steel strings high performance spring steel with precise partial tone development<\/span><\/td>\nSchimmel Duratec by Pitthan | Germany; Duratec Schimmel Patent<\/td>\n<\/tr>\n
Bass strings<\/td>\nmade by Schimmel<\/td>\n<\/tr>\n
Duplex \/ Triplex scale\nfor definition see product details<\/span><\/td>\nTriplex<\/td>\n<\/tr>\n
Box frame construction with solid hard wood liners inlaid in mountain grown spruce.\nCombines high stability against bending forces with high energy reflection<\/span><\/td>\nyes<\/td>\n<\/tr>\n
Three-dimensional crowned and tension loaded soundboard<\/td>\nmembrane shaped cut<\/td>\n<\/tr>\n
Bridge: solid beech capped by 5 layers of maple wood crosswise glued<\/td>\nmade by Schimmel<\/td>\n<\/tr>\n
Cast iron made traditionally<\/td>\nyes<\/td>\n<\/tr>\n
Piano lid design<\/td>\nhorizontal and vertical similar to grand piano lid<\/td>\n<\/tr>\n
Glider\/castor as standard (exchange to glider \/ castor is possible upon request)<\/td>\nGlider<\/td>\n<\/tr>\n
Soft close fallboard standard<\/td>\nno<\/td>\n<\/tr>\n
High gloss finishes are made of premium piano lacquer by layering process and hand polished<\/td>\nyes<\/td>\n<\/tr>\n
Manufactured according to following standards<\/td>\nGerman Environment Standards<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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More models of the Konzert series<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tK 122 Elegance\t\t\t<\/div>\n\t\t\t<\/a>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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K 132 Tradition Schwarz poliert Mahagoni poliert Fl\u00fcgeldeckel Design Perfektion trifft \u00e4sthetik Tradition wird bei uns zeitgem\u00e4\u00df gelebt. Deshalb verbindet das K 132 Tradition, deutsche Klavierbaukunst, innovative Konstruktion und zeitgem\u00e4\u00dfes Design in unnachahmlicher Weise. Perfektion und \u00c4sthetik, die auch die kommenden Generationen noch begeistern werden. Pr\u00e4mierungen und Auszeichnungen Pianiste MaestroAusgabe Oktober 2004 \u201eEin wunderbares Instrument, […]<\/p>\n","protected":false},"author":7,"featured_media":4686,"parent":3925,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-7980","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nK 132 Tradition - Schimmel Piano<\/title>\n<meta name=\"description\" content=\"Wir leben Tradition zeitgem\u00e4\u00df. 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